Posts Tagged ‘phoenix concept photographer’

I put together this quick and fun lifestyle concept a week and a half ago. The idea was to get three friends out having a good time at a self car wash. Splashing and playing around, working the group interaction. Props to 82nd St and Indian School Car Wash in Scottsdale for letting us take over the place for two hours. If you ever need/want to give your car or truck a good scrub down, I definitely recommend checking them out.

Commercial lifestyle photography to me is about being able to draw out genuine moments and emotions in your subjects. Without this, you’re not really capturing the spirit of what this genre of photography is all about… to sell and entice others to want to be a part of what you’re photographing. It’s an ideal they can aspire to that is then represented by a clothing line, location or other product.

I was talking with a few other local photographers this week and we all agreed on one point. Concept, creativity and genuineness will really take your photography a step above where it may be now. Without these you’re just fulfilling technical steps instead of creating images. It’s the difference between engineering and art. One is mechanical, one is creative driven. I’d even go so boldly as to say stop worrying about your technical skills. Start focusing on your creative ideas and what you want to say in your own photography. The technicals will come with practice and attention. The creative might never if you don’t focus in on it. It’s the most important element of lifestyle photography. What can you create to draw in viewers?

Here we have our three friends arriving at the car wash. I like to utilize depth of field to create different layers in an image. It gives your image a subject and sense of place. I also enjoy little detail elements like having someone reaching in to grab keys. It hides their face and creates an “anybody” moment. You can almost put yourself in the same position.

Here our three models are once again playing around. You can create posed or set photos like each of these are, while at the same time bringing out the genuine elements of lifestyle. Simply set and direct where you’d like everyone to be, and then have them start moving and interacting. That way you have the right positions, and still a real feel to the images.

This last set I really like. You can tell how real the expressions are and how fun everyone is having. It’s all part of being able to add yourself as an extra party member to the group. Make yourself not just a passive viewer to the images, but a member of them. In that way you create an image that your viewers can not only appreciate, but engage themselves in as well.

shooting for collages

May 27, 2010

Photo collages including panels, diptychs, triptychs and more can be a fun way to bring a series of images together and help tell a story. On a recent test photo shoot with The Agency Arizona, I set out to create two of these emotion packed, full-page collages. Generally they work best for these half-body and portrait frames to really get involved in the emotions with your subject.

How you go about them and what you want to bring out is a matter of your own preference. For these two, I wanted to use a few of the accessories I brought along (a few hats and sunglasses) and change up the angles. Another way to go about it is to set your model in a seated position, fix a tripod down and have them alter their expressions from the exact same angle. Since I far prefer to shoot handheld and change the angles to interact with my subject, my photos each have a bit more variety.

Knowing what to bring out in each of your models can really add an extra punch to the images. You may be able to get some smiles out of a model with more of a fashion look, but chances are they might not turn out as well as ones where you worked with their natural expressions and talent. Lia’s bubbly personality lent itself perfectly to just joke around and create these playful set of images.

Whereas Britt had a great softer smile and those lock-on eyes. Being able to work with each models natural talent really helped deliver the best images.

This was an incredibly fun photo shoot where I started to push a few personal boundaries. It’s so important to work outside your own comfort zone. I certainly don’t do it enough. When you do though, you open the door to learning new techniques and expanding your vision. I’m looking forward to sharing more images from this test. Stay tuned.

If you feel like some of your photo shoots are just lacking some umph, it might come down to the production placed into them. Production is a critical part of putting together a great photo shoot. Whether for a client or for my personal book I like to put as much production as time and money allows into my shoots.

Production is all the little (and big) details that go into a shoot. Location, permits, models, wardrobe, props, food/drinks/catering, image delivery timetable and method. The personal style of how you run your shoots and interact with your crew and team members can even be said to be a part of your production. It all comes down to knowing your vision and being able to put together the pieces to execute it, within a reasonable time frame and budget constraints.

Your budget is often the ultimate deciding factor in what you can produce. I’d love to be able to shoot on a three deck yacht through the Caribbean, but it’s simply not a budgetary reality (yet). That being said, I encourage any photographer looking to put together fresh images for their portfolio to put some personal money into it. That doesn’t mean you have to go overboard though.

In the photographs below I picked up these colorful pairs of socks at Target for $2 a piece and matched them to the outfits that these fun models from The Agency Arizona brought with them. The $6 investment was well worth an image that will help grow my book.

For these images I went to a local grocery store and picked up around $15 worth of different fruit. They helped foster a fun feel and style to a number of images.

And for this last set I spent a few more bucks at Target grabbing colorful sandals and an extra few at the dollar store for a snorkel and floaties. None of these are expensive items, but they help create the right atmosphere for the photos.

Lately I’ve been putting around $100-200 into my personal test shoots, and that number grows as I continue to book bigger jobs and more clients. It’s a repeating cycle. Larger clients want to see the time and production you put into your images and they want to see new personal work on a regular basis. It shows your passion for what you do. It’s one of the comments I hear the most in any new client meeting – my apparent passion for creating images. Passion + production = progress. Put some more passion and production into your own work and I guarantee you’ll start seeing similar results.